Create a Material
Create, modify, apply, save, and organize materials.
- Select one or more objects.
-
On the Rendering tab, select the
Editors tool.
The Render Editor appears.
-
Select the Material tab.
-
From the Shader dropdown menu, select a material
type.
- None
- Plastic
- Carbon Fiber
- Metal
- Leather
- Wood
- Simple Glass
- Glass/Gems
- Fabric
- Paint
- Construction
- Emitter
The material is applied.
- Define the parameters.
Plastic Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Color
- To define the color, choose from the following
options:
- Select a color.
- Select a texture. The texture overrides the color.
- To blend the color with the texture, click the plus symbol (+). You can tell if the blend option is turned on by looking at the image preview.
To define the shade, enter a value of 0-100, where 100 is the true color and 0 is black.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 1. Plastic without a Coating 
Figure 2. Plastic with a Coating 
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Carbon Fiber Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Texture
- Select or upload a texture to apply to the object. To learn how to adjust the texture, see Edit and Position the Material's Texture.
- Color
- To define the color, choose from the following
options:
- Select a color.
- Select a texture. The texture overrides the color.
- To blend the color with the texture, click the plus symbol (+). You can tell if the blend option is turned on by looking at the image preview.
To define the shade, enter a value of 0-100, where 100 is the true color and 0 is black.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Anisotropy
- Stretch and blur highlights. Anisotropic reflections are like regular reflections, except they are stretched and blurred against the grain of the material. They are often used to simulate finely brushed metals.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 3. Plastic without a Coating
Figure 4. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Metal Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Presets
- The Preset is automatically set to
Custom.Choose one of the following options:
- Aluminum
- Brass
- Chassis
- Chromium
- Copper
- Galvanized
- Gold
- Silver
- Stainless
- Titanium
- Color
- To define the color, choose from the following
options:
- Select a color.
- Select a texture. The texture overrides the color.
- To blend the color with the texture, click the plus symbol (+). You can tell if the blend option is turned on by looking at the image preview.
To define the shade, enter a value of 0-100, where 100 is the true color and 0 is black.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 5. Plastic without a Coating
Figure 6. Plastic with a Coating
- Brushed
- Add a brushed finish to a material.
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Leather Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Texture
- Select or upload a texture to apply to the object. To learn how to adjust the texture, see Edit and Position the Material's Texture.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 7. Plastic without a Coating
Figure 8. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Wood Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Texture
- Select or upload a texture to apply to the object. To learn how to adjust the texture, see Edit and Position the Material's Texture.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 9. Plastic without a Coating
Figure 10. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Simple Glass Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Color
- To define the color, choose from the following
options:
- Select a color.
- Select a texture. The texture overrides the color.
- To blend the color with the texture, click the plus symbol (+). You can tell if the blend option is turned on by looking at the image preview.
To define the shade, enter a value of 0-100, where 100 is the true color and 0 is black.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Texture
- Select or upload a texture to apply to the object. To learn how to adjust the texture, see Edit and Position the Material's Texture.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 11. Plastic without a Coating
Figure 12. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Glass/Gems Parameters
Create solid glass objects, glass vessels containing liquid, and gemstones.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
To add a roughness map, upload an image.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Presets
-
Choose one of the following options:
- Amethyst
- Aquamarine
- Diamond
- Emerald
- Fluorite
- Glass
- Plastic
- Polycarbonate
- Quartz
- Ruby
- Sapphire
- Topaz
- Water
- Zircon
- Custom
Figure 18. Example of Glass 
- Absorption Color
- Define which colors of the spectrum are absorbed (thus not visible) by uploading an image or picking a plain color. The remaining colors of the spectrum are reflected (thus visible).
- Absorption Distance
- Lower values are more transparent. Higher values are more opaque. Values range from 0 to 0.05 m.
- Index of Refraction (N)
- Define the reflectivity of the surface. Higher values correspond to more
intense reflections.
If you selected a preset, this value is predefined. If you selected a custom preset, look up the index of refraction online.
- Use Abbe Number
- Abbe Number: Lower values correspond to a stronger rainbow effect. Increase the value to make the effect more subtle. The default value is 10.
Fabric Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Texture
- Select or upload a texture to apply to the object. To learn how to adjust the texture, see Edit and Position the Material's Texture.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 29. Plastic without a Coating
Figure 30. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Paint Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Color
- To define the color, choose from the following
options:
- Select a color.
- Select a texture. The texture overrides the color.
- To blend the color with the texture, click the plus symbol (+). You can tell if the blend option is turned on by looking at the image preview.
To define the shade, enter a value of 0-100, where 100 is the true color and 0 is black.
- Glow Color
- Define the color of the glow.
- Glow Intensity
- Define how intensely the metallic flakes glow. Increase this value for a brighter glow; decrease it for a softer glow. We suggest keeping this value under 30-35%, as increasing this number too much can obliterate the base color.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 31. Plastic without a Coating
Figure 32. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Construction Material Parameters
Define the color, reflectivity, roughness, transparency, and more.
- Reflectivity
- Define the strength of the reflections.
Enter a value of 0-100, where 100 produces perfect mirror reflections and 0 produces the weakest reflections.
- Roughness
- Roughness adds texture to the material at a microscopic level. When you
modify the roughness, the surface texture still looks the same; however,
tiny changes invisible to the naked eye have occurred, affecting
reflectivity.
0 can produce a perfect mirror reflection.
Lower values produce crisper and brighter reflections.
Higher values produce blurrier, dimmer reflections. Increasing the roughness spreads and distributes reflections over the surface and creates a more matte surface.
At values approaching 100, light becomes so scattered that reflections are barely visible, if at all.
- Transparency
- Define the level of the material transparency. 100 = completely transparent, 0 = fully opaque.
- Texture
- Select or upload a texture to apply to the object. To learn how to adjust the texture, see Edit and Position the Material's Texture.
- Bump
- Bump adds texture to the material at a macroscopic level. Because it visibly
affects the surface texture, Bump is useful for simulating irregular
surfaces.A bump map gives the illusion of texture without physically distorting the geometry, minimizing rendering time. The grayscale map tells Inspire Studio how to change the surface normals as if the surface had been displaced; the modified normals are used in lighting calculations. A bump map looks like the inverse of what you might expect: black represents the highest extreme and white represents the flattest extreme, while shades of gray represent grades in between.
- Coating
- Create varnishes and paints on a layered material.
The coating will reflect some light, while the rest of the light will be absorbed by the layer of material underneath; the extent to which this happens affects how the final material looks.
Several coatings may be applied one after the other, simulating multiple varnishes and paints.
Figure 33. Plastic without a Coating
Figure 34. Plastic with a Coating
- Scratches
- Add scratches to a material.
- Wear
- Add wear to a material.
- Trimming
- Add cut-out patterns to a material.
Emitter Parameters
Define the color, power unit, and side.
- Color
- Define the color of the light by choosing a plain color from the color palette. It is recommended to use subtle, light colors for better results.
- Power Unit
- The default is Watts. Switch to Lumens to automatically convert the Power value.
- Power
- Enter a value between 0 and 150 Watts or between 0 and 22500 Lumens.
- Side
- Select which side of the object to emit from. The default option is Both.
Organize Materials
In the Material Library, the Materials tab is handy for organizing materials as you work. It is here that you'll find a list of all the materials in your scene.
- In the Material Library, click the Materials tab.
-
Choose from the following options:
To Do this Note Show which objects a material is assigned to Click the plus symbol (+) next to the material name. Open a material's parameters in the Control Panel for convenient editing Double-click the material name. Assign a material to a selected object - To assign a material to an object, select your object/s and right click to assign a material. Choose from the material from the list.
- In the Materials tab in the Model Browser, drag and drop the object from one material to another. If the object has no material assigned, it will appear at the top under "Objects with No Material."
Before you do this, make sure that [1] an object is selected, and [2] at least one material has been assigned to an object in the scene. Unassign a material from a selected object Right-click, and then click Unassign material. Duplicate the material for each object in the selected material group Right-click on the material name, then click 'Unlink material' All objects in the original material group will have their own copy of the material. The original material will be empty Duplicate a material Right-click, and then click Duplicate material. This option is useful if you want to assign the same material to multiple objects and edit them independently. Delete selected materials from the Model Browser Right-click, and then click Delete selected materials. All objects to which the materials were assigned will have those materials removed. Delete unused materials from the Model Browser Right-click, and then click Delete unused materials. Save a material to the library Right-click the material name and click Save material.